Anne Carson is an excellent means to seduce a passionate, disoriented literature nerd, is completel

In the first section of the lesbians cult series "The L Word" moves the young Jenny with her boyfriend to Los Angeles, to realize their dreams authoring. There, she becomes dramatically touched and seduced by Amazon Marina and after that nothing the same. How to get Marina Jenny on cases? She asks: "Have you read Anne Carson Jenny's worshipful response speaks woodbury outlet for itself: "The books changed my life." Then there's no turning back.
Anne Carson is an excellent means to seduce a passionate, disoriented literature nerd, is completely understandable when you look at what is being said and written woodbury outlet about her. Readers - originally entitled few, but the crowd is in steady growth - getting more than readers, they become ardent admirers and fans. She seems to have a special attraction for people who are susceptible to the combination of extreme intellectualism and explosive desires. If you want to be mean, you could say that she is the nectar of the bumblebee who would like to be a little difficult, mysterious and erotic literary advanced. Jenny in "L-Word" is an unbearably pretentious character, almost impossible to like, but Carson's books changed her life should be for the sake of not refrain from reading.
Canadian Anne Carson is increasingly present in the preliminary speculation before the Nobel Prize, along with their fellow countrywomen Margaret Atwood and Alice Munro. If the latter woodbury outlet two, novelist and short story writer, writes a typically accessible and clear prose, Carson is a writer whose work and stylistics is harder to nail down to any particular definition or genre. Often called Carson poet, but her books are hybrids; poetry prose and lyric essay writing, all in one.
Anne Carson is a fragment writer. Her whole production actually consists woodbury outlet of a lot of debris and fragments, albeit sometimes more soldered together than otherwise. It can be daunting for the reader who wants their reading united by a clear structure. But the fact is that Carson's use of the fragment is so consistently realized that it seems consistent.
Is particularly evident in the work "Nox", a memory trip and dirge over a dead brother. "Nox" is not a book. With her long sheet of paper inside a gray box, folded up like an accordion, and with family photographs and notes interspersed here and there, is it rather a work of art. An item might Carson himself say, who often speaks of his writing as an effort to create an object, an object. "Nox" is the most elaborate example of this, the rest of her production are printed in ordinary book covers, but the feeling of standing before an item is recurring in the reading of her work. So also writes woodbury outlet his colleague Will Aitken described Carson's verse novel "Red autobiography as architecture.
"Nox" is not just about mourning a dead brother who dictated self (almost synonymous with Carson himself) never really knew. It is also a translation project. Carson lets half his story is occupied by the lexical and etymological explanations of all words in a poem by the Roman poet Catullus, who too is about loss and farewell of a brother. The grip is not unique to "Nox", but throughout her writing. If Anne Carson's stylistics and work fleeing every attempt at definition, then it is at least possible to trace a method in her work: the one who is about to engage in a constant dialogue with other writers, and to set several authors in dialogue with each other.
This is also the case with the book that comes in Swedish, "Husband's beauty", which in addition to "Red autobiography" is the only title that has been translated into Swedish (both by Mara Lee). The book, which is subtitled "a fictional essay in 29 tangos", based on the British Romantic poet John Keats (1795-1821) thought that "the beauty of it is true." Simply stated, one can say that the poem ego makes the claim against his own experience of love and marry a man for his beauty's sake, only to discover woodbury outlet that he is an unpredictable scammer. Not at all true, then, at least not to his wife. Short Maxims of Keats's poems precedes each essay, and he is also the recipient of the poem self's thoughts, the text is directed straight at him. A literary sounding board, if you will, or maybe a writer whose form Carson identifies with? "I have a feel for the track, like a dog with its nose to the ground, but not just for a scent trail, but for traces of forms. I think that ideas have forms and when I feel that two different texts or authors carry the same forms, I know that I can bring them together, 'said Carson in an interview woodbury outlet in The Paris Review in 2004.
The passionate marriage with its inevitable divorce as a menacing woodbury outlet looming woodbury outlet on the horizon is a theme that Carson tackled in other works, such as the long poem "The Glass Essay" from the collection "Glass, Irony and God", but never so consistently through