Essence of love summed up this classy, of Tolstoy

It can be predicted when you read a book by Anne Carson is that there will be a different experience. Men in the Off Hours was published in 2000, and is as quirky as her other books, as well as being written from a consistent line. Although this cross-pollinate antiquity with modernity, boxing day as when Thucydides coach Virginia Woolf in the writing of history, in dialogue form, after an introductory essay about both authors.
Carson is as hard rooted in both traditions, and often use their Greek knowledge to point out things that have been with the present to do. She has found a channel right into antiquity, which allows her to give us a unique sense of presence. She drops do not remove their own style, even in a book like this that make themselves so dependent on other people's voices. Some of the texts are compressed mini-biographies of famous literary fixed stars, which Akhmatova, Tolstoy, Artaud, Catullus. And Sapfo -
The method of weaving together different traditions is something Carson has in common with, among others, Woolf, and Carson writes in dialogue with the writers she happens to take up - like Emily Dickinson. How to write sense of Dickinson? Like this: crosswise, by moving effortlessly between fantasies and bound truths, until the concepts of change place and no longer are some opposites. It is the unexpected infallets way of writing: boxing day in nycken are key to Carson's quirky style. Her attitude is reminiscent of how Borges relates to books: a kind of unruly and warped homage, which did not really behave as you expect.
The whole time she suggests an "other hand": that even though she presents an event, there is always an alternative course of events, another way that it can be perceived. She writes ekfraser to Edward Hopper's paintings, and accompanying them with quotes from Augustine's Confessions. Quotes about time, because that's what Hopper's paintings convey, when Carson sees them. The pluralistic times, where the different times becomes contemporary.
Fogningarna boxing day done both violent and soft, much like John Donnes daring imagery (one of the poems is also about Donne), where sharp similes joined. Although parts of the book are woven together, as well as elements from other books of Carson, as if all her writing is a work in progress as she goes in and out as she pleases. When she writes boxing day about Artaud is also about violence, madness is empty - no creative furrow. There's nothing for the artist to collect, says Carson.
Essence of love summed up this classy, of Tolstoy's wife: "If I could kill him then make another one exactly like him, / I would do it joyfully!" And the male and female is also what are subjected boxing day to harsh questioning, in how female sexuality ruled hard in antiquity, who gladly prepared her like an animal. In a discussion of how Aristotle's relationship to the Greek right-ideal sofrosyne: "Masculine Sophrosyne ice rational self-control and resistance to excess, but for the woman Sophrosyne means obedience and Consists in Submitting herself to the control of others."
Lightly communicates with Carson's predecessor, creates his gun in flight. She does it with a voice that is as authoritative as it is humble - strangely puzzled, demands full critical. She has a peculiar precision in expression, in ordvalets accuracy. More than a writer, she recalled the artist who processes a material that shapes his text body, and also make it sensual and playful. It is work with small pieces, a fragment aesthetics.
Therefore, among other things, she writes so extremely sensitive about Sappho, who in a staggering reading of the famous fragment 31 ("Suddenly, he stands out as one of the gods like" in Sven Bros. translation), which opens the poem once again. When she happens to point out that Sappho put on make up at five o'clock in the morning, reminds you suddenly her fragment 179, the single word: "Makeup boxing day Bag". In Anne Carson's Sappho a poor man, an actor. Being a woman, being a man, it is arbitrary boxing day and changeable conditions. For it is in the passage, the repeal boxing day of the limit, Carson comes to life as a poet. She also shows that the Greek word "eironia" ("eirôneia") translated to "dissumilatio" of the Roman rhetorician, a word meaning mask.
Carson uses many masks in this book, perhaps to live up to the ideals of Oscar Wilde: "Man is least himself When he talks in his own person. boxing day Give him a mask, and he will tell you the truth."
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