I like all of the Sanremo Festival. Not particularly original motivations. Above all, I find it very fun and exciting that everything is based on a logical dialectic between opposites are identical.
In the meantime, zara france however, I wanted to tell you that these days I am organizing, as I do every year, an evening of collective vision of the final with friends in the city where I am. It is a game within the game: above all a great excuse to organize an evening to me, but also to catch a glimpse of what he thinks the world around me Sanremo event.
The answers to my call, like those of previous years, are mostly surprises and underline that the majority of my guests would not have otherwise looked at Sanremo (I stress again that I am speaking of the majority and not the totality): many - fortunately - have fun with accepted messages such as "The idea is wonderful! :) "," Hahaha! Interesting! "And" Hello James! thanks for the invitation. A proposal disturbing and enticing at the same time. Why not! "Others, albeit very politely refuse:" Thank you for the invitation very original that I would try not too little .. and if it were not that I sanremo not get along very well also tell you that I shudder just to know and already been a year and aritorna je .. sorry but I can not make! a great big kiss! "and" ehiiiiiiiiiiiiii ... thanks for the invitation but I have a long tradition of 'sanremo lost' and I think that would wish to programmatically lose again this year. "In the coming days I will make my friend know that I , he replied: "dear! are you sure you want me to feel smadonnare for a whole evening and constantly say 'but that' stammerda?! ',' but 'nammerda!' and stuff like that? Anyway, basically I do not see Sanremo, if not quickly in case there is any artist that interests me (usually zara france due to further sadness, see Marlene Kuntz recently) ... "
Here are content zara france with only a few examples, I can describe it is usually the answers that I receive this invitation are of three types: 1_ Sanremo (I) sucks (but I am happy), 2nd Sanremo (I) sucks (and, hence, thanks the same but I have no intention of starting it to see), 3_ Sanremo've always seen it: I'll be there definitely! (There is also a small but recurrent fourth category of friends who are not because they are passionate about Sanremo volerselo much to see in peace and focus on your own at home.)
One of the things I like the most, and this characteristic of the Festival of splitting my friends into categories of radicarne zara france positions in favor and against, among those who say and / or do you think all the evil and those who follow him on time . The latter, in turn, they see it for the sake of criticizing and tearing it down, fielding really interesting and entertaining speeches (which are the main reason why I organize zara france "a collective vision.")
This binary logic and the first among the reasons why I like all of the Sanremo Festival. zara france Sanremo in fact nothing else than the plastic representation of oppositions zara france that in reality there is no evidence they are not identical zara france to one another, trash / not trashy, Antonella Clerici / Fabio Fazio, Glen blonde / brunette Glen, Glen foreign / Italian valley, when comic / serious moment , in tune / out of tune, (true) expected / (false) unexpected, Luke was gay / now he's with her, reciprocates my love and I'm happy / unhappy zara france and they do not reciprocate, quality jury / televoting, Anna Oxa / Rino Gaetano , Jalisse / Sugar, Flack / Tatangelo, Pippo Baudo / Mike Bongiorno ... There is obviously nothing and no one can prove or even explain, that one song is better than another, or a presenter is more pleasant or more elegant another etc.. and yet all the talk about the festival and that are in the newspapers or by word, or prejudicial postgiudizievoli, are always based on this distinction. In this case the bipolar zara france works.
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